Paper given at the IFTR 2016 Conference at the University of Stockholm, Sweden. Abstract For the past forty-five years, Yukichi Matsumoto and the Osaka-based Ishinha theatre company have been creating site-specific performances that explore the intersection of urban and rural life in Japan. The company’s most recent work, “Twilight” (2015), was devised in Soni Village,…
Category: Conference Papers
Debris from the ‘dispersal zone’: digital documents, diegesis and the documentary theatre
An analysis of digital document formations in the wake of the August 2011 riots in London through a reading of the Tricycle Theatre’s verbatim play, The Riots.
Andrew Eglinton 