Mourning in, as and for the Theatre: the case of Ishinha’s Amahara

Paper given at the 15th International European Association of Japanese Studies Conference, at the Universidade Nova de Lisboa, Lisbon, Portugal. 31 August 2017. Abstract Performing on deserted beaches, and in villages, temples, dockland warehouses and urban railyards, few theatre companies have traversed the range of landscapes and settings that inspired the Osaka-based Ishinha. Yet though journeys…

On Ishinha’s Final Show: “Amahara”

This article was originally published in the Japan Times Newspaper on September 27 2016. Performing on deserted beaches and in villages, temples, dockland warehouses and urban railyards, few theater companies can have traversed the range of landscapes and settings that have inspired Osaka-based Ishinha. Yet though journeys real and imagined have been key themes in…

In Search of Direction: Mapping, Materiality and Theatre Ecology in Rural Japan

Paper given at the IFTR 2016 Conference at the University of Stockholm, Sweden. Abstract For the past forty-five years, Yukichi Matsumoto and the Osaka-based Ishinha theatre company have been creating site-specific performances that explore the intersection of urban and rural life in Japan. The company’s most recent work, “Twilight” (2015), was devised in Sone Village,…