The Kyoto Experiment (KEX) performing arts festival is marking the beginning of a new era. Not only does it have three new program directors at the helm, it also has a fresh logo and renewed focus on experimentation to boot.
The 10th edition of Kyoto Experiment marked the end of a decade-long labor of love for Yusuke Hashimoto, who stepped down as program director and passed the baton on to three new co-directors. What impact has this performing arts event had at home and abroad? What are some of the milestones in its story so far?